Anna and the King of Siam by Margaret Landon

I am never a movie person. But among the short list of movies I have ever watched (most of them are book-turns-to-movies or movies starred by Matt Damon--yes I'm his fan!), there are even shorter list of movies which I often rewatch. One of them are Anna and the King, starring Jodi Foster and Chow Yun-Fat. I loved its cultural background of 19th century Siam. I also loved the silent and respectable romance of an English woman and the King of Siam, as well as the perfect chemistry of Jodi and Yun-Fat. I learned later that it was based on the diary of a real Anna Leonowens--an English Governess hired by King Mongkut of Siam to teach his children (later on, his harem too). When searching for this diary, I stumbled upon this historical novel by Margaret Landon. She re-wrote Leonowens' diary into a more flowing story (cutting a lot of tedious geographical and antropological entries of the original diary).

If you have watch the movie, imagine the much savage, violent, selfish, and distrustful King, in oppose to Yun-Fat's charismatic and charming version; then increase by ten folds the wretched condition of the slave of a rich lady, of whom Anna has helped to buy the freedom. Imagine also how the revengeful King would react when his favorite concubine, Tuptim, was running away with her lover; that instead of regretting his impotence in intervening the court verdict and heartbrokenly but secretly crying for Tuptim's unfair death penalty like Yun-Fat's version, the real King was ten times more cruel and revengeful in his terrible rage. And lastly, the real King, while quite often granting Anna's request, he was also harsh, unfair, and deceitful towards Anna--and certainly very far away from having any sparks of romance! There... if you combine those aspects, you'll get the rough idea of the book.

When starting it, I have prepared myself to not expecting any romanticism of the movie. Nevertheless I was a bit surprised to learn the terrors Anna and her household must have endured during her stay at Siam. And my admiration grew for her. If this was truly Anna Leonowens' account of her real life in Siam, then she must have probably been one of the most brave women ever lived in 19th century. How terrible and dangerous her life and work was, and all for a vague hope that the crown prince Chulalongkorn might bring justice and brighter future to Siam when he succeeded his father!

The only time I did not hate King Mongkut, was near the end, in his thank you letter to Anna, where he said: "...All that [Chulalongkorn] ever learned of good in his life, you taught him." I think that was one thing teachers would always like to hear.

Finally, while the movie ends with emotional separation (the dance always makes me cry!), the historical novel ends with a slightly hopeful future, though not as emotional as when Yun-Fat embracing Jodie in their last dance: "It was through the principles laid down in her teaching that he had formed the plans by which he had transformed his kingdom."

4/5 - for this tremendous story of an English woman.

Falling Angels by Tracy Chevalier

One thing I always love from Tracy Chevalier is her theme choices to weave her stories. Either paintings or culture, Chevalier’s themes are always unique and unusual. In Falling Angles, she picked Victorian fetishism of death. Depicting the turn of the century, from Victorian to Edwardian, Falling Angels is about two families who were brought accidentally and reluctantly together by funerals.

The Waterhouses were more conservative (fanatic Victorian followers) compared to their neighbours: The Colemans, who were more moderate and progressive. On the day Queen Victoria died, both families visited their graves in London, which were located side by side, to mourn. That was how Maude Coleman and Lavinia (Livy) Waterhouse—both around 9 years old—met and then became best friends. As their families did not get along well, Maude and Lavinia could only meet and play together in the graveyard, where they befriended a gravedigger boy called Simon.

Along with the changing era, everything around the two families was evolving too. And this is what Chevalier wanted to portray. Many readers say that Falling Angels was a disappointment after Girl With a Pearl Earring (Chevalier’s best novels until today) because it lacks poignant story and strong characters. Yes, it may be true, but I think we derive something else from it in exchange: the peek into the turbulence era; how society was reshaped after the end of Victorian era; how they evolved and moved on. We get a glimpse, for example, of mourning etiquette, women suffragette movement, and how science slowly replaced superstition. And for that, Chevalier gave each character equal portion in the story by making them the narrators of themselves. Yes, we literally jump from one person’s to another’s point of view throughout the book. It’s rather annoying at first, but soon enough I got used to it; and it really become quite interesting in the end.

And so, Falling Angels might not be the best book by Tracy Chevalier, and if you analyze the writing more thoroughly, you might find that the personality of the characters seemed to be inconsistent. Richard Coleman for example; he was fond of astrology, and even promoted his daughter’s interest in it, not to mention his idea of swapping sex partner in chapter one. You would think him as liberal thinker, and that he would have given his wife more freedom. But no, when Kitty actively involved in women suffragette, Richard opposed strongly. But, maybe, it’s Chevalier’s way of emphasizing the turbulent era. It’s when people were timidly looking out for the future, while still clinging to their past. But nevertheless, time changes, and either sooner or later, everyone must going along with it.

Like I said, this book is not my best read, but it’s interesting, and is just the appropriate book to read around New Year! 3,5 / 5.